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A REVIEW OF RAZINAT T. MOHAMMED’S THE TRAVAILS OF A FIRST WIFE BY TERYIMA MSON MYEGBA
A Review of Sakka Jojo’s Play, Afonja: A Historical play | Moshood Zakariyah
A Review of Su’eddie Vershima Agema’s Novel, Once Upon a Village Tale | Zakiyyah Dzukogi
A Review of Adamu Usman Garko’s When Day Breaks by Mujahid Ameen Lilo
A Review of Buchi Emecheta’s The Bride Price | Halima Sayyadi
4th Edition Editorial: December, 2021
3RD EDITION: EDITORIAL, Sep 2020 (Guest Editor: Prof Anthony Oha)
2ND EDITION: EDITORIAL, May 2020 (Guest Editor: Prof. Ismail Bala)
A Review of Okey Ndibe’s Memoir, Never Look an American in the Eye | Moyinoluwa Oripeloye
A Review of Oyinkan Braithwaite’s Novel: My Sister, the Serial Killer | Nekha Fathima Sulficar
We are so neglected in the Abuja Literary Scene – Aisha Kabir Muhammad
The Invocative Repertoire of Half-Being: A Review of Chukwudi Eze’s “The Return of Half-Something” By Prof. Anthony C. Oha
Critical Essays
A Masculinist Reading of CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS | Paul Liam
A Review of Paul Ugor’s Critical Work: Nollywood: Popular Culture and Narratives of Youth Struggles in Nigeria | Tunde Onikoyi
Creative Panache and Social Millstone, Tanure Ojaide and the Niger Delta Polemics: Will the Cockerel Ever Hatch? By Ngozi Chuma-Udeh
A Punster’s Style: The Pun Motif in Nkem Okoh’s Critical Essays | Amatare Mozimo
Interviews
POETRY IS SPIRITUAL – Tolulope Ogedengbe
POETRY IS A SHELL I CRAWL INTO TO GAIN RELEVANCE – Annastasia Uwandu Chinonso
POETRY PREDATES HUMAN EXISTENCE – IRUSOTA
Nigeria does not care about her writers – Haneefah AbdulRahman
WE HAVE TO BREATHE THROUGH POETRY TO MAKE LIFE MEANINGFUL – An Interview with Amirah Al Wassif By Peter Kwange.
POETRY IS THE MANIFESTATION OF THE INVISIBLE – Ajise Vincent
HIASFEST 2021: Download Registration Form
HIASFEST 2021: RANGE OF PRIZES
CALL FOR ENTRIES: THE NIGERIA PRIZE FOR INDIGENOUS LANGUAGES IN CREATIVE WRITING AND SCIENCE BOOK
NIGERIA PRIZE FOR TEEN AUTHORS CALL FOR ENTRIES
Directing That Big Play With A Big Mind By: Victor Abayomi
Review Of Etima Okon Usanga’s Never Again By Chimnemezu Nwaeze
A Review of Samuel Beckett’s “Happy Days” by Maryam Kekere-Ekun
A Critique of Ebun Clark’s Hubert Ogunde—The Making of Nigerian Theatre | Ojo Olorunleke
Notable Poetry Collections of 2019: An Omnibus Review By Ismail Bala
A Review of Odu Ode’s Poetry Collection, Calligraphy of Demons | Ibraheem Uthman
WHEN HOMER CAME TO AFRICA: A REVIEW OF IKEOGU OKE’s HERESIAD. By Martin Ezimano, Esq.
Teen Autors
A Moralistic Assessment of B.M Dzukogi’s TEACHER DANGANA IS A CHEAT | Musa Jamila
THE COVID-19 PANDEMIC AND CHILDREN’S EDUCATION: A Review of Wale Okediran’s COVID-19 Children’s Literature Series | Idowu Layo
CHILDREN FICTION PAINTED IN THE PAINFUL COLORS OF ADULT REALITY: A REVIEW OF JUDE IDADA’s “BOOM BOOM” By Martin Ezimano, Esq.
A Review of Jude Idada’s Boom Boom by Aisha Umar
